Along with some assorted schkweeks and blather, I usually post my own poetry here. This is a bit of a departure.
Below the fold, I've posted an extended excerpt from a play I've read and reread many times. I've even had the privilege of directing it once. It is by an Irish playwright, John Millington Synge. He died young, authoring only five plays in his lifetime. To say that he captured the soul of the Irish in those plays would be a grave error. He set the soul of a nation free, before it's citizens were ready. The play caused riots and disruptions in Ireland and the United States. Irish men and women on both sides of the ocean felt it was blasphemous and obscene. Irreverent, yes. Suggestive, surely, but the phrasing and imagery only make it more lovely than any collection of Renaissance heroes and nymphs on canvas. Synge's verbal brush strokes bring forth ache and yearning without sly winks or pandering.
Full disclosure: My Mother was descended from Irish Immigrants and could effortlessly break into a soft, fluttering brogue to tell a joke, sing a bit or simply warn bold little boys off the batter she was stirring. When I hear or read an Irish voice, I hear her voice too. That's my bias.
I'm not even going to set up the scene. Just know that a young man and woman met last night and by this afternoon, they have fallen in love. If it strikes you the way it strikes me, you'll read the play yourself and be glad you did.
PEGEEN — [radiantly, wiping his face with her shawl.] — Well, you're the lad, and you'll have great times from this out when you could win that wealth of prizes, and you sweating in the heat of noon!
CHRISTY — [looking at her with delight.] — I'll have great times if I win the crowning prize I'm seeking now, and that's your promise that you'll wed me in a fortnight, when our banns is called.
PEGEEN — [backing away from him.] — You've right daring to go ask me that, when all knows you'll be starting to some girl in your own townland, when your father's rotten in four months, or five.
CHRISTY — [indignantly.] Starting from you, is it? (He follows her.) I will not, then, and when the airs is warming in four months, or five, it's then yourself and me should be pacing Neifin in the dews of night, the times sweet smells do be rising, and you'd see a little shiny new moon, maybe, sinking on the hills.
PEGEEN [looking at him playfully.] — And it's that kind of a poacher's love you'd make, Christy Mahon, on the sides of Neifin, when the night is down?
CHRISTY. It's little you'll think if my love's a poacher's, or an earl's itself, when you'll feel my two hands stretched around you, and I squeezing kisses on your puckered lips, till I'd feel a kind of pity for the Lord God is all ages sitting lonesome in his golden chair.
PEGEEN. That'll be right fun, Christy Mahon, and any girl would walk her heart out before she'd meet a young man was your like for eloquence, or talk, at all.
CHRISTY — [encouraged.] Let you wait, to hear me talking, till we're astray in Erris, when Good Friday's by, drinking a sup from a well, and making mighty kisses with our wetted mouths, or gaming in a gap or sunshine, with yourself stretched back unto your necklace, in the flowers of the earth.
PEGEEN — [in a lower voice, moved by his tone.] — I'd be nice so, is it?
CHRISTY — [with rapture.] — If the mitred bishops seen you that time, they'd be the like of the holy prophets, I'm thinking, do be straining the bars of Paradise to lay eyes on the Lady Helen of Troy, and she abroad, pacing back and forward, with a nosegay in her golden shawl.
PEGEEN — [with real tenderness.] — And what is it I have, Christy Mahon, to make me fitting entertainment for the like of you, that has such poet's talking, and such bravery of heart?
CHRISTY — [in a low voice.] — Isn't there the light of seven heavens in your heart alone, the way you'll be an angel's lamp to me from this out, and I abroad in the darkness, spearing salmons in the Owen, or the Carrowmore?
PEGEEN. If I was your wife, I'd be along with you those nights, Christy Mahon, the way you'd see I was a great hand at coaxing bailiffs, or coining funny nick-names for the stars of night.
CHRISTY. You, is it? Taking your death in the hailstones, or in the fogs of dawn.
PEGEEN. Yourself and me would shelter easy in a narrow bush, (with a qualm of dread) but we're only talking, maybe, for this would be a poor, thatched place to hold a fine lad is the like of you.
CHRISTY — [putting his arm round her.] — If I wasn't a good Christian, it's on my naked knees I'd be saying my prayers and paters to every jackstraw you have roofing your head, and every stony pebble is paving the laneway to your door.
PEGEEN — [radiantly.] If that's the truth, I'll be burning candles from this out to the miracles of God that have brought you from the south to-day, and I, with my gowns bought ready, the way that I can wed you, and not wait at all.
CHRISTY. It's miracles, and that's the truth. Me there toiling a long while, and walking a long while, not knowing at all I was drawing all times nearer to this holy day.
PEGEEN. And myself, a girl, was tempted often to go sailing the seas till I'd marry a Jew-man, with ten kegs of gold, and I not knowing at all there was the like of you drawing nearer, like the stars of God.
CHRISTY. And to think I'm long years hearing women talking that talk, to all bloody fools, and this the first time I've heard the like of your voice talking sweetly for my own delight.
PEGEEN. And to think it's me is talking sweetly, Christy Mahon, and I the fright of seven townlands for my biting tongue. Well, the heart's a wonder; and, I'm thinking, there won't be our like in Mayo, for gallant lovers, from this hour, to-day.